6 edition of From Schongauer To Holbein found in the catalog.
November 2, 1999
by Hatje Cantz Publishers
Written in English
|Contributions||Hans Meilke (Contributor), Christian Muller (Contributor)|
|The Physical Object|
|Number of Pages||432|
Artist Biography: Holbein, who in was working with the sculptor Michel Erhart in Ulm and was active in Augsburg, the Alsace, and Basel, was initially influenced by the Early Netherlandish painters and Martin Schongauer. From onward Italianate elements can be found in his paintings. Hans Holbein the Younger. The younger and better known son, Hans Holbein the younger, c–, was an outstanding portrait and religious painter of the Northern Renaissance, was influenced by his father and by Hans Burgkmair Burgkmair or Burckmair, Hans, –, German engraver, woodcut designer, and painter.
May 7, - Explore oliverrobertson's board "Drapery", followed by people on Pinterest. See more ideas about Drapery, Drawing clothes and Medieval clothing.3K pins. The elder (c. ), belonged to a celebrated family of painters in practice at Augsburg and Basel from the close of the 15th to the middle of the r6th closely connected with Venice by her commercial relations, and geographically nearer to Italy than to Flanders, Augsburg at the time of Maximilian cultivated art after the fashion of the Flemings, and felt the influence of.
Hans Holbein d.Ä. Detail from the Hans Holbein d.Ä painting Martin Schongauer Figure on the left holds a girdle book in his left hand Altar piece from Valleberga church in Sweden. St Bartholomew (on the right in the top row on the left wing) holds a girdle book in his left hand. Two figures at the center bottom are holding girdle. 6 Fritz Saxl, "Studien iiber Hans Holbein d.J., I, Die karlsruher Kreuztragung," Belvedere, IX & X, , pp. ff. 7 Dvorak was the first to note Schongauer's dependence on the lost painting (which, however, he presumed to be Dutch and not Eyckian). For partial bibliog-raphy see our Note 16; L. von Baldass, Jan van Eyck, London, , pp.
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From Schongauer To Holbein Hardcover – November 2, by Hans Meilke (Contributor), Christian Muller (Contributor) out of 5 stars 2 ratings. See all 2 formats and editions Hide other formats and editions. Price New from 5/5(2). BOOK FORMAT Paperback, x 9 in.
/ 48 pgs / 35 color. PUBLISHING STATUS Pub Date 11/2/ Out of print. DISTRIBUTION D.A.P. Exclusive Catalog: FALL PRODUCT DETAILS ISBN TRADE List Price: $ CDN $ AVAILABILITY Not available. From Schongauer to Holbein: Master Drawings from Basel and Berlin First American Edition by Offentliche Kunstsammlung Basel (Corporate Author) out of 5 stars 1 rating.
ISBN ISBN Why is ISBN important. ISBN. This bar-code number lets you verify that you're getting exactly the right version or edition of a 5/5(1). Book is in Like New / near Mint Condition. Will include dust jacket if it originally came with one. Text will be unmarked and pages crisp.
Satisfaction is guaranteed with every order. FROM SCHONGAUER TO HOLBEIN: MASTER DRAWINGS FROM BASEL AND BERLIN **Mint Condition**. COVID Resources. Reliable information about the coronavirus (COVID) is available from the World Health Organization (current situation, international travel).Numerous and frequently-updated resource results are available from this ’s WebJunction has pulled together information and resources to assist library staff as they consider how to handle coronavirus.
The Paperback of the From Schongauer to Holbein: Master Drawings from Basel and Berlin by Offentliche Kunstsammlung Basel Staff, National Gallery of Art From Schongauer to Holbein: Master Drawings from Basel and Berlin Publish your book with B&: Hans Holbein the Younger (German: Hans Holbein der Jüngere) (c.
– between 7 October and 29 November ) was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century. Get this from a library. From Schongauer to Holbein: master drawings from Basel and Berlin.
[Öffentliche Kunstsammlung Basel. Kupferstichkabinett.; National Gallery of Art (U.S.); Staatliche Museen zu Berlin--Preussischer Kulturbesitz. Kupferstichkabinett--Sammlung der Zeichnungen und Druckgraphik.] -- "Presenting for the first time complementary holdings from the internationally.
From Schongauer to Holbein. Master Drawingsfrom Basel and Berlin Exhibition organized by Andrew Robison, catalogue essays by Christian Miller and Hans Mielke, entries by Fedja Anzelewsky, Holm Bevers, Dieter Koepplin, Renate Kroll, Hans Mielke, Stefan Moret, and Christian Miiler, (National Gallery of Art, Washington, D.C.).
pp., Princeton University Library One Washington Road Princeton, NJ USA () From Schongauer to Holbein Master Drawings from Basel and Berlin. Hrsg. National Gallery of Art, Washington, D.C., Text(e) von Fedja Anzelewsky, Holm Bevers, Dieter Koepplin, Renate Kroll, Hans Mielke, Stefan Morét, Christian Müller.
Englisch. Seiten, Abb. Leinen mit Schutzumschlag. 24,30 x 28,60 cm. ISBN The Unterlinden Museum (French: Musée Unterlinden) is located in Colmar, in the Alsace region of France. The museum, housed in a 13th-century Dominican religious sisters' convent and a former public baths building, is home to the Isenheim Altarpiece by Matthias Grünewald and features a large collection of local and international artworks and manufactured artifacts from prehistorical to.
Book Title Von Schongauer zu Holbein: Zeichnungen deutscher Meister des Jahrhunderts Condition Fair Publication year oldest item Edition 1st Edition Thus Language German Original language Yes Publisher R. Piper & Co / Munchen Binding/ Material Hardback Extras Numbered edition.
The Grey Passion is a series of paintings by Hans Holbein the Elder (). Executed between andit comprises twelve panels illustrating the Passion of Christ; Holbein's monochrome palette is almost entirely paintings were purchased by the Staatsgalerie Stuttgart, the Stuttgart State Art Gallery in Germany.
The State Art Gallery acquired the altarpiece in for Engraving by Ambrosius Holbein for a edition of Thomas More's Utopia book. The lower left corner shows the traveler Raphael Hythlodeus describing the island. Engraving from. Perfect if you like knights.
Pages middle ages engraving. Hans Holbein the Elder was one of the first artists who systematically used models. These included dignitaries from Augsburg such as the members of the Fugger family: Anton Fugger, the nephew of the banker Jakob Fugger the Rich, was born in In he joined the Fugger trading company and took over its leadership in and expanded until his death in even into the New World.
A visit to the Musée Unterlinden covers nearly 7, years of history, from the prehistoric era to 20th century art. Whilst travelling in time amidst the museum’s encyclopaedic collections, visitors can also discover the multiple facets of its architecture, which have been unified and enhanced by the architects Herzog & de Meuron.
Hans Holbein the Elder. Painter of the Augsburg school. Birthplace: Augsburg, Germany Location of death: Isenheim, Alsace Cause of death: unspecified. Gender: Male Race or Ethnicity: Whi. Hans Holbein the Elder belonged to a celebrated family of painters in practice at Augsburg and Basel from the close of the 15th to the middle of the 16th century.
Though Painter. American Masters, which accompanied an exhibition at the National Gallery of Art, is the first book to present and document the important collection of American art assembled by the scholar and professor John Wilmerding.
From Schongauer to Holbein: Master Drawings from Basel and Berlin. Martin Schongauer (Colmar c. - Breisach) was one of the most outstanding and influential artists of the fifteenth century. He contributed in various ways to the development of engraving technique, achieving a new aesthetic which raised standards of printmaking.
Considered one of the great portraitists of the 16th century, Hans Holbein came from a family of artists; his father, Hans Holbein the Elder, and his uncle Sigmund were renowned for their late Gothic painting.
While living in Basel, Switzerland, Holbein the Younger gained recognition for his woodcut.The Book of Hours of Jeanne d'Evreaux. Dürer adapted the _____technique of Martin Schongauer to the woodcut medium in The Four Horsemen of the Apocalypse (Fig.
) Holbein's style in the representation of the French Ambassadors recalls the work of _____.From Schongauer To Holbein - Master Drawings From This volume is a singular overview of drawings from the beginning of the German Renaissance to the mid-sixteenth century.
In this period of transition from the late Middle Ages to the early modern age, craftsmen and artists emerged from the traditional anonymity of their trade.